More Death With a Smile

erika_mabus_f15

I promised more images from the exhibition “TO DEATH WITH A SMILE” or in Spanish “A LA MUERTE CON UNA SONRISA.” Thanks to Prof. Vicki Meloney for sharing the files, here they are.

carlos_franqui_f15
Save My Soul by Carlos Franqui

These Kutztown students are finalists, along with artists worldwide. The works are on display through Feb 9 in Mexico City at MUMEDI, The Mexican Museum of Design.

malachi_hall_f15
Breathe Breed Bury by Malichi Hall

Finalists’ artwork can be found on the MUMEDI website.

erika_mabus_f15
By Erika Mabus

First Prize in this contest includes a MacBook Air, a three night stay at the Museum’s boutique hotel in Mexico City and 3,000 pesos.

kristen_demilfy_f15
Dead Zone by Kristen Demilfy

Prof. Meloney writes, ” the contest challenges cultural perceptions of death and dying. When can death evoke a smile (clever, funny, emotional)? We spent weeks researching the concept of death — Cultural connotations, discussing and dissecting our beliefs and traditions (sometimes the conversations has us rolling with laughter and sometimes brought us to tears).— thousands of entries worldwide, 400 finalists, only 22 from the united states and 16 of those 22 were from our Kutztown University Graphic Design class! Way to go KUCD!”

michael_oxendine_f15
Michael Oxendine

Some of the images are cartoon-like.

morgan_mahoney_f15
Five More Minutes! by Morgan Mahoney

Others border on the surreal.

kathryn_desiderio_f15
Bliss by Kathryn Desiderio

Prof.Meloney pointed out that she Prof. Cunfer and Prof Tienken  are so proud of their junior year students. The final image, below, is by Natalie Bett, a grad student from Kenya, a student in our new MFA program.

natalie_bett_f15
Music Shall Carry Me Home by Natalie Bett

All images © the individual artists, students at Kutztown University of PA. For more info on the Communication Design Dept at Kutztown, including our new MFA, visit the website.

More Miracles of St. Patrick in Scranton, PA!

St. Patrick Converts the 50 Foot Woman. © Kevin McCloskey, 2015
St. Patrick Converts the 50 Foot Woman. © Kevin McCloskey, 2015

My grandpa Patrick McCloskey immigrated from Donegal, Ireland. I got the grand idea to have some fun with St. Patrick, the most sacred hero of the Island of Saints. Fortunately for me, the Irish, even religious fundamentalists, tend to have a sense of humor.  St Patrick: The Lesser-Known Miracles will be exhibited at the AFA Gallery, Scranton, March 5-28. The prints will be up for St. Patrick’s Day.

Patrick & Celia McCloskey with baby Patrick, Mary, James (center front my dad)  and John
Patrick & Celia McCloskey with baby Patrick, Front: Mary, James ( my Dad) and John.

These are relief prints, carved from wood or linoleum. It is a down-and-dirty way of printing. In my case, a bit the prints are rough-hewn, but they tell a story. I learned this process from masters like Tom Huck and Endi Poskovic and from my printmaking friends in Oaxaca.

St. Patrick Arm-Wrestling a Pagan. © Kevin McCloskey 2015.
St. Patrick Arm-Wrestling a Pagan. © Kevin McCloskey 2015.

One of the new miracle prints is a linoleum cut of St. Patrick arm wrestling a Pagan. Kutztown printmaking student Victoria Beck asked if the pagan was Tom Huck. Good eye, there is a resemblance. I made my first St. Patrick print at Huck’s studio, Evil Prints in St. Louis. So this image is a shout-out to Huck. On another level, the legend of St. Patrick driving the snakes out of Ireland may be rooted in his driving the tattooed druids out of power.

The Irish discovery of Pi.
The Irish discovery of Pi.

I’ve read Thomas Cahill’s book How the Irish Saved Civilization and Seamus MacManus’s The Story of the Irish Race. Both interesting books celebrate Irish exceptionalism. I am proud of my Irish ancestry, but I toy with this sort of myth-making in my prints. Every nationality tends to inflate their ancestor’s contributions, I suppose.

St. Patrick Driving the Elephants from Ireland
St. Patrick Driving the Elephants from Ireland © KMc 2012

Reading Eagle reporter Lisa Scheid wrote about this project here. “We see a lot of pictures of a saintly St. Patrick, but Kutztown University professor Kevin McCloskey wants people to see something more. McCloskey, a printmaker and an Irish-American who has participated in his share of St. Patrick’s Day parades, has a series of prints about St. Patrick. The series, “The Lesser Known Miracles of St. Patrick,” doesn’t depict any aspect of the saint or legend but is a celebration of its spirit. Patrick came to Ireland as a kidnapped slave; he escaped and then, surprisingly, returned. “It’s kind of a subversive idea to go back and want to change a country,” McCloskey said. “With a religion from the Middle East, he returned to this cold, tough place to spread love.”

Original woodblock, St. Patrick's Headstand, 12 by 16 in, used as illustration for Reading Eagle 3/17/14.
Original woodblock, St. Patrick’s Headstand, used as illustration for Reading Eagle 3/17/14.

St Patrick: The Lesser-known Miracles can be seen at AFA Gallery, 514 Lackawanna Ave, Scranton from March 5-28. Opening: Friday March 6, First Friday 6-9pm. I will be there and look forward to meeting my fellow exhibitors, Veronica Lawlor and Chris Spollen. Gallery info here.  A few more St. Patrick prints can be seen here.  If I don’t see you before March 17, Happy St. Patrick’s Day!

AFA Gallery announcement, Opening March 6, Scranton, PA.
AFA Gallery announcement, Opening March 6, Scranton, PA.

Many thanks to my friend Scranton-based illustrator Ted Michalowski for introducing me to the AFA Gallery. Thanks, too, to Dean Bill Mowder of Kutztown University for a grant to support this project.

Printmaking at Taller La Chicharra, Oaxaca, 2015

Edith Chavez, center front, and Alan Altamarino, center back with KU students at Taller Chicharra.
Edith Chavez, center front, Alan Altamarino, at back & KU students at Taller Chicharra.

While ice storms hit the U.S. a group of Kutztown students spent 17 days of winter break in sunny Oaxaca, Mexico. We worked with a group of talented young printmakers in Taller La Chicharra (translates as the Cicada Studio).

Alan Altamarino  on press pulling a large scale print with Kevin McCloskey
Alan Altamarino on press pulling a large scale print with Kevin McCloskey.

Alan Altamarino, who also goes by MK Kabrito, runs the studio. He is a recent graduate of the School of Fine Arts at UABJO, Oaxaca. He specializes in large format relief prints. In the image above he carved MDF, multi-density fiberboard, to print a mega-print for his upcoming exhibition in Guadalajara.

knox
Nueva Vida, 2-color woodblock print by KU student Elaine Knox.

Printmaking studio classes were scheduled from 11-4, but at times the KU crew was still working happily as late as 10pm. Of course, they took a long dinner break around 3pm. Some brave souls sampled fried grasshoppers, a typical Oaxacan snack.

Pajaro Rojo, print, by KU Prof. Miles DeCoster
Pajaro Rojo, print, by KU Prof. Miles DeCoster

Each student created an edition of 15 black and white prints for a portfolio to exchange with their classmates. They also created a limited edition with a second color printed from a block of carved plywood.

Figura Prehispanica, detail, by Ashley Ridgway.
Figura Prehispanica, detail, by Ashley Ridgway.

We came as a group with a reservation, but Taller La Chicharra offers short classes for visitors throughout the year. Besides woodblock, they offer classes in serigraphy and engraving metal via electrolysis. Typically, courses are for half-days and last a week. The cost ranges from 500-1000 Mexican pesos, $40 to $80 U.S.

KU student Blake Myers sketching in the mountains of Mexico.
KU student Blake Myers sketching in the mountains of Mexico.

“Impressions From Oaxaca” prints from the KU workshop will be on exhibit at the Student Gallery, Sharadin Building, Feb 10-15.

KU students carving blocks at Chicharra.
KU students carving blocks at Chicharra. Photo: Miles DeCoster

We had time for trips to the Prehispanic ruins at Monte Alban and Mitla. A highlight was a journey to the petrified waterfall known as Heirve el Aqua.

Wolfgang and Brigid inking plates. Photo M.DeCoster
Wolfgang and Brigid inking plates. Photo: M.DeCoster

Muchas Gracias to Alan Altamarino, Edith Chavez, Marcus Lucero, Mariana Rivera, and all the wonderful Oaxacan artists who made our time in Mexico so memorable! Nos Vemos! See you again!

Murray Tinkelman at the Norman Rockwell Museum

Murray Tinkelman awarded the Rockwell Artist Laureate Award.
Murray Tinkelman awarded the Rockwell Artist Laureate Award.

I know of 3 Norman Rockwell Museums*, but only one Murray Tinkelman. The best of the Norman Rockwell Museums, the one in Stockbridge, Mass, bestowed the honor of “Artist Laureate” on Murray Tinkelman this weekend. He is only the third person to receive the honor, after artists Barbara Nessim and David Macaulay.

Self-portrait © Murray Tinkelman
Self-portrait © Murray Tinkelman

Tinkelman’s distinctive pen and ink drawings have gained gold medals from the Society of Illustrators, The NY Art Directors Club, and the Society of Publication Designers. Tinkelman began his illustration career in 1951 inking backgrounds for Sheena of the Jungle Comics. “Just vines and leaves, they never let me draw Sheena,” he said. Now in his 80’s, the man is still as sharp as a push-pin.

Tinkleman did many Sci-Fi and Fantasy covers in the 60's and 70's.
Tinkleman did many classic  Sci-Fi and Fantasy covers in the 60’s and 70’s.

Murray Tinkelman has taught hundreds of illustration students at Parsons School of Design, Syracuse University, and now at the Hartford Low Residency MFA program.  Bob Dahm, a 2007 grad of the Hartford program, rightly calls Murray “a walking encyclopedia of illustration.”

Knight on Rhinoceros, pen and ink, 1971, © Murray Tinkelman.
Knight on Rhinoceros, pen and ink, 1971, © Murray Tinkelman.

I learned that Murray is color blind. He jokes that he prefers the term “chromatically challenged.” Perhaps this explains why his most iconic work is black and white, done with a technical pen and india ink. His Knight on the Rhinoceros was on exhibit at the Rockwell Museum. The drawing is surprisingly large, about 20 inches square. It won the Society of Illustrators Gold Medal in 1971 and led to editorial work for the op-ed pages of New York Times, the Washington Post, and Atlantic Monthly.

58 Caddy, pen and ink © Murray Tinkelman
58 Caddy, pen and ink © Murray Tinkelman

His wife and partner, Carol Tinkelman was by his side during the event, as were their daughters and grandkids. Murray Tinkelman has a lot of accolades on his resume, but it was clear that he was touched by his new title bestowed by The Rockwell Museum: Artist Laureate.

The award is based on a sculpture by Peter Rockwell, Norman Rockwell's son.
The award is based on a sculpture by Peter Rockwell, Norman Rockwell’s son.

Illustration superstars attended the gala award ceremony, including Istvan Banyai, Kinuko Craft, and William Low.  Mark McMahon, who taught with Murray in the 90’s drove out with his wife Carolyn from Chicago. But, Bob Dahm certainly came the greatest distance – from Dubai!

NY Times Op-Ed Illustration © Murray tinkelman
NY Times Op-Ed Illustration © Murray Tinkelman

Many former students, now teachers, were there. Jack Tom and Cora Lynn Deibler came from Connecticut. Deibler is a Kutztown U grad who earned her MFA with him at Syracuse. She recalled Tinkelman forcefully insisting (“He nearly grabbed my lapels!”)  that she never neglect her own creative work for the sake of teaching. That jibes with my first Tinkelman sighting. In 1972 I took continuing ed illustration classes at Parsons in NYC. I never studied with him, but I saw him working in his faculty office on a massive line drawing during his breaks between classes.

Ted Michalowski, Bob Dahm, Murray and Carol Tinkelman.
Ted Michalowski, Bob Dahm, Murray and Carol Tinkelman. (photo courtesy of Bob Dahm)

I am grateful for the pleasure of carpooling to the event with the irrepressible Scranton-based illustrator, Ted Michalowski. During the drive to and from Massachusetts, Ted regaled me with legends of Tinkelman.

Norman Rockwell's art studio, Stockbridge Mass. Photo: K.McCloskey
Norman Rockwell’s art studio, Stockbridge Mass. Photo: K.McCloskey

* NOTE: Years ago I visited the Norman Rockwell Museum of Philadelphia. It is now long gone. I’ve also visited the Norman Rockwell Museum of Vermont in Rutland. It is a sweet little place with some memorabilia and quality reproductions of Rockwell’s work. The Norman Rockwell Museum in Stockbridge, Mass, however, is the real deal. This was my first visit. The museum is substantial and houses an impressive collection of original Norman Rockwells. The view from the grounds of the museum is postcard perfect.

 

A Library of Comics: Am I in Heaven?

Caitlyn McGurck in the secure holdings are of the Billy Ireland Library
Caitlin McGurk with in the secure holdings are of the Billy Ireland Library

Caitlin McGurk has had the 2 coolest librarian gigs in the world. Now she is at the Billy Ireland Cartoon Library & Museum at the Ohio State University. The Billy Ireland is the world’s largest academic research facility documenting printed cartoon art. Before landing this job she was the founding librarian at the Schultz Library at Center For Cartoon Studies in Vermont. She took me deep into the climate-controlled safe room where rare comics are kept. She told me the holding rooms have weapon grade security. (If a door is propped open for 60 seconds cops arrive.) She shared a clipping from an old Mutt and Jeff strip. The collection has 2.5 million such clippings, over 300,000 original cartoons, and so many rare manga volumes that scholars come from Japan come to study their own comic traditions in Columbus, Ohio.

From Bud Fisher's Mutt & Jeff, circa 1938.
Panels from Bud Fisher’s Mutt & Jeff, circa 1938.

Caitlin told me the library is named for Billy Ireland (1880-1935) a beloved editorial cartoonist for the Columbus Dispatch. I know little about Ireland’s art. I picked up his biography by Lucy Shelton Caswell and will write more about him in a future post.

Card belonging to Chester Gould, creator of Dick Tracy.
Card belonging to Chester Gould, creator of Dick Tracy.
Dick Tracy © Chester Gould (From Wikipedia)

The Mystery of Chester Gould’s Blackened Drawing Table

Caitlin also shared the strange tale of the table Chester Gould used to draw Dick Tracy. When the table was donated to the collection it was displayed horizontally, its blackened edge on the bottom.

Chester Gould's drawing Table at the Billy Ireland Collection.
Chester Gould’s drawing Table at the Billy Ireland Collection.

The curators logically assumed those carbon black stains were spilt india ink. When Gould’s daughter, Jean O’Connell, now 87 years old, visited Columbus and saw the desk displayed she said, “NO.NO. You’ve got it all wrong!” The blackened edge belongs on the right side, she insisted, as her father positioned the table vertically. He kept a box of kitchen matches on his taboret at his right-hand side. Seems he was always drawing against tight deadlines. When Gould finished drawing a comic strip he’d strike a kitchen match and run it lit beneath the bristol board to dry the ink faster. Caitlin says they checked the underside of Gould’s original art and found carbon marks consistent with match smoke. Jean O’Connell’s memory was correct and her dad’s drawing table is now displayed vertically.

Yukon-Ho cover, ©1989 Bill Waterson, watercolor with ink overlay,
Yukon-Ho cover, ©1989 Bill Waterson, watercolor with ink overlay,

In keeping with Ohio State’s tradition as a land-grant university, anyone can visit the library and see nearly any part of the collection, academic credentials are not required. So if you are a scholar, or just a dedicated fan of a particular comic strip, The Billy Ireland is the place to visit.

Willie Nelson © Richard Thompson on view until 8/3/14 at Billy Ireland Museum
Willie Nelson © Richard Thompson on view to 8/3/14 at Billy Ireland Museum.

Right now the Billy Ireland Museum galleries have 2 exhibitions: Exploring Calvin and Hobbes by Bill Waterson and The Irresistible Force Meets the Immovable Object: A Richard Thompson Retrospective. Both shows will be up until August 3, 2014.

10363481_708167229241311_5049042458637648788_nHours and details of future exhibitions can be found here. Even if you can’t get to Columbus, the Billy Ireland blog is a great resource worth exploring. The galleries at Billy Ireland are free and open to the public. There is admission charge for the Wexner Center for the Arts, which is next door and well worth a visit.

sign

Tom Corbett Space Cadet rocket on display.
Tom Corbett Space Cadet. Wow! That’s my Governor’s name!

We will leave with one final image from the amazing Billy Ireland collection. The original artwork for The Legend of Wonder Woman #1 by Trina Robbins …

Wonder Woman © Trina Robbins, Billy Ireland collection, Ohio State University.
Wonder Woman © Trina Robbins, Billy Ireland Collection, Ohio State University.

ARTIST HARVEST Kutztown, PA

KUTZTOWN as GALLERY

artistharvest2013banner

Here is your invitation to walk into Lucky 13 Tattoo & Piercing Parlor and The K’town Pub and Basin Street Tavern. If you don’t want another tattoo, go to Lucky 13 before you hit the bars! Meet Kutztown area artists at a variety of local businesses. Each venue will feature works from one or more artists, and many of the artists will be available to talk to about their work on Friday evening.

Linear Composition, painting by Jan Crooker.
Linear Composition, painting © by Jan Crooker on view at Lucky 13.

What I really like about this event is this: it’s not a fundraiser!  It is meant to build an audience for Kutztown artists and give you a reason to enter a new business. It is free to see. The artists don’t have to pay to play; perhaps someone might buy their work. The Kutztown Community Partnership is the sponsor. Thanks to Kutztown booster Jim Springer of Dunkelberger’s Jewelers for coordinating this unique event.

Navajo Madonna and Child by Maureen Yoder. Kutztown
See Navajo Madonna and Child © by Maureen Yoder at Vynecrest Wine Shop

Artists will also be at Global Libations, Uptown Espresso, Jackie & Daughter, Monaghan Realtors, Wholesome Foods, Adam N’ Eve, Firefly Books, J.A. Meyer, CC’s Wooden Grill, Pop’s Malt Shoppe, Main Street Inn, and Spuds. Start anywhere and grab a list!

Portrait of Azuka ©Leah King at KTL Cigars.
Portrait of Azuka ©Leah King at KTL Cigars.

Leah King was my illustration student at Kutztown. She’s had success lately doing art for children’s books like Bathtime for Brandon by Angela Hunt. Leah will be showing her mixed media artwork at KTL Cigars, 100 Constitution Blvd. Two of my former KU design colleagues are Artist Harvest participants, Dianne V Dockery and John K Landis.

Clay monoprint © by Dianne Vottero Dockery at Dunkelbergers.
Clay monoprint © by Dianne Vottero Dockery at Dunkelbergers.

John Landis is sharing his hand-made miniature buildings. His work will be on view at Colasanti Printworks. He sent me some photos of his tiny buildings based on real places he recalls from his childhood, like the one below. What is happening on the second floor?

IMG_0317
Dress Store and Doctor’s Office © John K Landis at Colasanti Printworks

All the artists and venues will be happy to see new faces. Most are located along Main St. At the edge of town Nectar’s Cafe will be open for dinner Friday Oct. 4 from 5-8pm in celebration of the Artist Harvest. My friend Camille Eaton Romig will be showing quilts there and Nectar’s will be rolling out a new orange cognac coffee just for the event.

Graphic © by Matt Williams of Firefly Books, Kutztown
Graphic © by Matt Williams of Firefly Books, Kutztown

Depending on the venue, the art work may be on view Saturday and Sunday Oct. 5 and 6, as well. However, if you want to meet and great the artists, get to Kutztown Oct. 4. It’s like New York, but smaller.

 

New Street Art in OAXACA

Reflejos de Huida, stencil, 2013, Lapiztola.
Reflejos de Huida, stencil, 2013, Lapiztola.

MACO,The Museo de Arte Contemporaneo de Oaxaca has an exhibition of street art on its walls. Does street art belong in a museum? Well, MACO’s Hecho en Oaxaca spills over into the streets. The artists came from all over the globe, Swoon, The Date Farmers, How and Nosm, MOMO, Retna, Saner, StenLex, and Vhils. Oaxacan artists Yescka, Dr. Lakra, and Lapiztola round out the show curated by Pedro Alonzo.

Lapiztola Collective's birds seem escape onto the street
Lapiztola Collective’s birds seem escape onto the street.

I am fond of Lapiztola’s work. I’ve met them, in fact they once let me hitch a ride home with them from a birthday party in the hills. Their stencils are always crisp graphic statements, often they relate to musical themes. I was not familiar with L.A. artist Retna. Retna’s blue wall at MACO (below) titled “Somos los ninos de las manos manchadas” translates as “We are the children of stained hands.”

Art by Retna, 2013 Acrylic.
Art by Retna, 2013 Acrylic.

His work resembles Arabic calligraphy. I thought Retna also painted the front of ASARO’s studio, Espacio Zapata, home to a gallery and the cafe,”Atila Del Sur.”  A reader informs me it is the work of Sanez.

Retna, Espacio Zapata, Studio of  ASARO collective, # 519 Porfirio Diaz. Van artist unknown.
Wall by Sanez, Espacio Zapata, Studio of ASARO, # 519 Porfirio Diaz. Van artist unknown.

Dr. Lakra has an untitled mural in the exhibition. It looks to be inspired by Hollywood, Bollywood and cheap whiskey. In Lakra’s case, I prefer his simpler ‘dragon woman’ mural on a wall near Espacio Zapata.

Dr. Lakra, untitled, acrylic and spray paint.
Dr. Lakra, untitled, acrylic and spray paint.
Dr Lakra, Street mural, Porfirio Diaz. Oaxaca.
Dr Lakra, Street mural, Porfirio Diaz, Oaxaca.

Swoon’s project is among the largest artworks in the museum. Like many old public buildings in Mexico the museum was once church property until it was seized by the government. Swoon worked around fragments of painted wall decoration which may date from the 17th century. She turned a high-ceilinged room into a temple of intense female figures. To borrow a phrase, the walls reflect both “agony and ecstasy.” Overall, her imagery evokes a suggestion of hope. I first saw Swoon’s work on a wall in Braddock, PA. She is an inspiring artist.

Swoon, detail, showing fragments of colonial wall decoration.
Swoon, detail, showing fragments of the colonial wall decoration.
Wall by Swoon at MACO, Oaxaca.
Wall by Swoon at MACO, Oaxaca.

Swoon’s outside murals were on prime real estate in the historic center of Oaxaca. I was told the building houses Dr. Lakra’s painting studio. Her works are woodblock prints on kraft paper which are pasted to the walls with wheatpaste. In some places they call these works “throw-ups.” The street artist can unroll the work and throw it up on a wall in a matter of minutes.

Oaxaca Street Art by Swoon, complete with a museum label on right edge.
Oaxaca Street Art by Swoon, complete with a museum label on right edge.

I will leave you with an image that includes art by Swoon, but it looks to be a collaboration with Retna and perhaps the blue skull is by Dr.Lakra. Next post I will share work by my old friend Yescka.

Oaxaca Street art, Swoon, Retna, and maybe, Dr. Lakra.
Oaxaca Street art, Swoon, Retna, and maybe, Dr. Lakra.