Archives for posts with tag: sculpture
A prior clothing installation from jarodchazewski.com

“SCARP” A prior clothing installation from jarodchazewski.com

Kutztown University will host Canadian artist Jarod Charzewski as he transforms the Miller Gallery into a “site-specific installation based on the consumer culture of Kutztown shoppers.” What’s that mean? Come find out. Based on his past installations, Charzewski’s work is likely to be colorful and eye-pleasing, yet also thought-provoking.

Army Man Made of Books about War © Jarod Charzewski

Army Man Made of Books about War © Jarod Charzewski

Charzewski’s winning artist residency proposal was one of nearly 125 that came from all over the world. His Kutztown U gallery installation will be in progress from Jan 21 – Feb 7.  Artists (students or not) who would like to assist him in the project can contact Karen Stanford via the Miller Gallery webpage. The exhibition will be up until St. Patrick’s Day.

Detail showing Books about War.

Detail showing Books about War.

Born in Winnipeg, Charzewski graduated with a BFA from University of Manitoba. He got his MFA at U on Minnesota. He is currently teaching at College of Charleston, S.C. I emailed him a few questions:

Q. How important is drawing to your process of visualizing an installation?

Jarod Charzewski: Drawing has always been an important part of what I do. I have always drawn. It’s the first creative thing I did when I was growing up. I don’t really think I was very good at it. I could blow my friends away with drawing, but that was only copying things from photographs. I wasn’t very spontaneous with my subject matter.

Many of the drawings I do today are schematics for planning my installations. My wife is an architect so I frequently bounce ideas off her as far a traffic flow and the height of things.

installation sketch © Jarod Charzewski

installation sketch © Jarod Charzewski

Q. What tools do you use to draw?

J.C: Right now I am using Sketchup to do drawings of all forms. Everything from detailed schematics with dimensions, vegetation and pedestrians to doodles and scribbles. It’s a very fun tool to play with.

Sketchup drawing ©  Jarod Charzewski

Sketchup drawing for a project at Ohio University © Jarod Charzewski

Q. What is the best advice you got in art school? From whom?

J.C: The best advice I got was from Alex Bruning. He taught advanced drawing in my BFA program at the University of Manitoba.  It was one class when he gave us some instruction and then turned us loose to work. I sat in front of my drawing board with a blank piece of white paper on it for – I guess – ten minutes, wondering what to draw. Meanwhile, my buddy Richard Wlodarczak just jumped right in, without hesitation or evidence of a single thought and started drawing.

I was amazed. Alex Bruning came by and said to me. “Richard trusts himself…. You must trust yourself”.  I think about that a lot. I can’t say I remember what I did at that moment but I recognize now the things I trust myself with. It’s also fun to see students in my classes that trust themselves.  By the way, Richard Wlodarczak is an accomplished painter living in Vancouver, B.C. 

Jarod Charzewski borrows, then returns, clothing from Goodwill for installions like this.

Jarod Charzewski borrows, then returns, clothing from Goodwill for installions like this.

Q. Is Canada more supportive of the visual arts than the US?

J.C: It is and it isn’t. It’s common for anyone with BFA to get provincial and federal artists grants as soon as they graduate.  There are many that make a living doing just that. What is rare is a chance to exhibit the work you make with the grant money, as there are so few galleries, compared to the US.  I feel it’s the opposite here in the US. Even before students of mine graduate they have shows in commercial spaces and are selling their art in one way or another.  It’s the grants that are few and far between.

Jarod Charzewski’s artist statement and many more images of his artwork can be found at jarodcharzewski.com. If you are near Kutztown, visit the Miller Gallery. The artist will be talk about his work, free and open to the public, Feb 7 at 7pm. The official installation opening is the same day, 2/7/13, from 4-6pm. Details here.

I met Stan Munro at the Reading Museum. He is an interesting guy. He was seated in the center of the museum’s lobby with a case of toothpicks and a container of Elmer’s glue. He was building the Eiffel Tower.

Stan Munro at the Reading Museum, sketch by Kevin McCloskey.

Families came to watch him work. Sometimes Stan handed wide-eyed kids wooden nickels he had individually handcrafted from toothpicks. Kids love his work. When Stan was in 5th grade at Wayland Elementary School in upstate New York, his art teacher gave the class a toothpick assignment. They were challenged to build a protective tower for an egg. Not everyone took the assignment as seriously as Stan. His tower, he says, “was basically a three-story pagoda form, about ten inches tall, built with lots of triangles, strong shapes.”

Maya Temple, Chichen Itza, Yucatan, Mexico

Some kids balanced books on top of their egg holders. Around the room eggs were cracking as Stan worked on. He finished his pagoda and placed it on the floor beside his desk. Stan put a book on top of his tower and it didn’t even creak. Stan piled on all his 5th grade textbooks. It still held. Then came an “aha moment.” With help from classmates Stan lowered his overturned desk onto his toothpick pagoda. It held. The crowd went wild.

King Hassan II Mosque, Casablanca, Morocco (detail) by Stan Munro

That was over 25 years ago. Stan still remembers that moment as the highlight of his school career. Stan did not study toothpicks in college. He went on to become a journalist. He married a doctor, the love of his life, Suzi. One day, Suzi became very ill. She became bedridden with a rare kidney and liver disorder. Suzi was put on a waiting list for organ transplants. She was able to stay in their home much of the time, but needed specialized hospital equipment in the house, including a dialysis machine. Stan gave up his jobs to stay by Suzi’s side.

Sometimes he got frustrated. What could he do? Suzi had heard the story of Stan’s pagoda many times. She asked Stan to build her a toothpick tower of her favorite skyscraper, New York’s art deco masterpiece, the Chrysler Building. Stan remembers this as the most difficult thing he ever built. By trial and error Stan found the right sort of toothpicks (square with round ends) and the right sort of glue (Elmer’s).

“I ♥ Suzi.”

Stan also rediscovered the path of his life. He began building toothpick towers from around the world.  “Towers are easy,” he says. Next he began creating toothpick temples, sacred buildings, from all cultures. Somewhere on every piece Stan leaves his mark, not his signature, but “I ♥ Suzi.”

The Vatican by Stan Munro and The Raising of Lazarus by Tintoretto.

Stan told me he is most proud of his version of Barcelona’s Catholic cathedral, Sagrada Família, the Sacred Family. The architect Antoni Gaudí worked on this church from 1883 until his death in 1926. The actual Sagrada Família is still under construction. It may not be completed for years. Stan based his finished toothpick cathedral on Gaudí’s original sketches, even though present-day architects have been accused of altering Gaudí’s vision.

Toothpick World opened last week and will be on view at The Reading Public Museum through the end of 2012. There are toothpick towers and temples throughout the museum. The Reading Museum is to be applauded for the brilliant placement of the toothpick St. Peter’s Basilica in front of Tintoretto’s Jesus raising Lazarus. It is inspiring to see the myriad houses of worship side by side. The Little White Wedding Chapel in Las Vegas stands beside Mecca’s Grand Mosque. Jewish, Muslim, Protestant, Catholic, Baha’i, Maya, all coexist peacefully in Toothpick World. Watching Stan build the tower in the lobby I noticed how he controlled his breathing for the delicate placement of each gluey toothpick. His measured breathing is a sort of meditation. His towers, especially his temples, are visible manifestations of his meditations. Is it too much of a leap of faith to call these towers visible prayers?

Stan Munro’s Sagrada Família, Barcelona, Spain, original by Gaudí.

Stan is clearly a storyteller, a visionary, an educator, and a business man with a plan. Toothpick World, LLC, is a traveling exhibit corporation. I asked Stan if he thought of himself as an artist. “Artist? –No,” he said, “I call myself a toothpick engineer,” and he handed me his card.

Stan Munro’s business card.

In my book, Stan Munro is an extraordinary artist. By the way, he can travel more now because Suzi is doing much better. She got double organ transplants at the Mayo Clinic, and her surgeons say that her recovery is nothing short of miraculous.

For more info visit: www.toothpickworld.com

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