Archives for posts with tag: prints


Black is back. Twenty years ago at a party in Hoboken I overheard a young punk mother complaining because she couldn’t find black baby clothes for her toddler. Today black is back. I got two presents wrapped in black. One was a brilliant new calendar from CD alum Ross Moody’s greeting collective, 55his.com. It couldn’t have come at a better time. Spoiler Alert: 2011 is ending in a less than 3 weeks.

Sketches lifted from 55hi's blog about illustrating the 2012 calendar.

The Monster Calendar includes illustrations by Sock Monkee, Chris Sandlin. I got an artist’s proof, but the calendars available at 55his.com are part of a limited silkscreened edition. Illustrators will want to check out the 55hi’s blog to see the entire process of putting this work of art together.

If you want to help save the U.S.Post Office, get over to 55hi’s for all your greeting card and gift needs.

Or maybe save some money to spend at  Sean Starwar’s site. The 2012 calendar picks up exactly where my Sean Starwar’s 2011 calendar leaves off. (see below.) Sean Starwars is one my favorite printmakers. Kutztown grad Jason Urban recently featured Starwars year-long printmaking project on the Printeresting site. Starwars grew up in Eastern Pennsylvania, but now lives in rural Mississippi. I’ve met him a few times, and he is the nicest hyper-guy you would like to meet.      Sean has a voracious appetite for Mountain Dew. Somewhere on the internet there is a Youtube video where he demonstrates how to add your own caffeine and sugar in an emergency when your local Piggly-Wiggly has nothing left on the shelf but the diet caffeine-free version!


Sean Starwars did a woodblock print every week of 2011. That’s over 50! Let that be an inspiration to you (and me.) Sean is having a holiday special sale at his Etsy page. Sean Starwar’s Etsy store page may be the only one that includes all three of these descriptive tags, “Mountain Dew” and “Christmas Sale” and “Rebel Scum.”

Remember. If you buy a calendar, always, always, check the date!

The Great Apes, etching © by Bruce Waldman

The Fine Arts Department is bringing Bruce Waldman to Kutztown. The Communication Design faculty and students are supporting this visiting artist event with a poster and pizza.

Waldman is primarily a printmaker and a friend of our notably friendly Fine Arts Professor Evan Summer. He teaches at SVA, the School of Visual Arts, NYC. His prints are in the permanent collections of the Metropolitan Museum of Art in New York, The New York Historical Society, The Bronx Zoo and The Library of Congress. The Queen of England also owns one of his artworks.

The Silent Conversation © Bruce Waldman

The Printed Image: Bruce Waldman presents his work in words and images. 7:00 pm Monday, Nov. 14, 120 Sharadin. Pizza for students at 6:15 pm in the Lobby outside SH120. Free and open to the public.

Monoprints and Etchings: Lecture/Demonstration, primarily for printmaking students. Mon. 11/14, 3:00 P.M. Printmaking Studio, Sharadin. See Prof. Summer for details.

"Vampires, Werewolves, and Zombies" illustrated by Bruce Waldman

An Illustrator’s Insight: Bruce Waldman is also a Society of Illustrators medal winner. His work has appeared in numerous publications including The New York Times, People, and The New Yorker. He will focus a bit more on this part of his career when he meets illustration students. Tuesday Nov.15, 9:30 A.M. 209 Sharadin (Illustration Studio)

For more information on Bruce Waldman see www.brucewaldman.com

from Vampires, Werewolves and Zombies, illustration © Bruce Waldman

Poster, above, by Frank Marsters

Illustration Concentration Site News: We reached a milestone: over 40,000 distinct visitors to this blog! This is the total for just over a year. WordPress has a special page of links for Illustration blogs. It features “the best in Illustration-related posts from around the WordPress.com community, updated daily.” Yesterday WordPress featured this Illustration Concentration blog again and we’ve been getting lots of new visitors. You are welcome to subscribe by putting your email in the box on the lower left corner. No salesman will call.

Reminder: You may see advertisements on the blog. We have no editorial control of those ads, and receive no compensation for ads. That money goes to WordPress for doing all they do. I don’t even get to see the ads when I log in on my computer, but sometimes see ads over other people’s shoulders for luxury cars, hammocks and vacations in Mexico. We must have a very upscale readership!

Wheat-pasted woodblock print lettering on vacant billboard, Chicago © Zoe McCloskey 2010

The New York Times 6th Floor Design blog recently featured artwork by Zoe McCloskey which should be familiar to graphic designers. In the image above Zoe takes individual block printed letters to spell out “Lorem ipsum dolor sit…”  The Times’ Hilary Greenbaum calls it “the most popular sentence in the world that is not meant to be read.”

To read more about Lorem ipsum, click the link above. You will find a link there to web site, Lipsum.com. To see more of Zoe McCloskey’s wheat-pasted street art check www.zoemccloskey.net.  Zoe got an email from the Times’ blog asking to use her image to illustrate this story. Of course, she was delighted. Not everyone is as nice as the NY Times about asking permission to use your artwork.

Everyday  graphic designers swipe images without attribution. You can do some things to protect your images. Don’t put images on the web at a higher resolution that 72 dpi. That way, at least you know your work is not likely to be reprinted.

Let people know you care about where your art goes.

If you have a website, or blog, a place where you put lots of images, let folks know in writing how you feel about them using your work. For example, a student recently pointed me toward a charming historical web comic,Kate Beaton’s Hark A Vagrant.  Here’s how Beaton deals with reader’s questions about re-using her artwork.

harkavagrant.com @ 2011 Kate Beaton

Q: Can I use one of your comics for this paper I’m writing/class I’m teaching/blog post I am writing?  A: Sure! If you’re not making a profit on it and you cite me correctly, why that’s just fine!

Q: Can I use one of your comics as a basis for this script I’m writing/in my book/my online app/some other enterprise? A: That’s trickier, you may have to talk to my agent, but write to me anyway and outline your ideas, and we can work out fees and rights of use and that sort of thing.

Q: Can I use a drawing for a tattoo or can you draw me a tattoo?  A: Oh dear, I am really uncomfortable with this idea! Get an anchor on your bicep, not a fat pony on the small of your back.

Add a Copyright © Notice to Your Image

Before you put your art or illustration up on the web always add your copyright info into the image’s metadata. It is not that difficult. With the image open in Photoshop, open “File Info.” You will get a dialogue box like the sample below, where I put the copyright info for a print I created. On a Mac, in most fonts, the © symbol becomes available by hitting the option key and the letter “g.” Folks can still swipe it, but at least you should be able to prove the work is yours.

Below is another of Zoe’s street images.”Let’s Meet Here.” She says the building owner painted over this message as soon as she put it up.

Let's Meet Here. Wheat paste on wall. Brooklyn © 2009 Zoe McCloskey

Zoe’s most photographed artwork was from New Orleans’ Lower 9th Ward in the wake of Hurricane Katrina. She pasted bandages over a house that was destroyed by Katrina. More images can be found here. Even though Zoe and other street artists are essentially putting their work out there for free, it still isn’t right to swipe the work without attribution.

Bandages wheat-pasted to house, New Orleans, 2009 © Zoe McCloskey

“Even if you are just making a neighborhood flyer or obscure blog entry, images can spread like wildfire these days. It’s always the right thing to give credit when due.” – Lincoln Cushing.

Design historian Lincoln Cushing has written extensively about swiping art on his docspopuli.org website. He is particularly angry, rightly so, when artists make money from the swiped images with no respect for the original creator. As he puts it, “don’t contribute to our own historical amnesia.” Here is his essay on Best Practices for using the Graphic Artwork of Others.  I recommend it. Cushing shows some practical examples of ways to credit the original artists, even if you can’t contact them, or don’t even know their names.

St. Patrick Driving The Elephants Out of Ireland, woodblock print, ©2011 Kevin McCloskey

Sharadin Gallery will soon have a new name, The Marlin and Regina Miller Gallery. I once proposed that after “Gallery” the words “of Art and Design” be added, to be more inclusive of design. Oddly enough, that modest proposal was met with fierce resistance from some faculty.

KU Faculty Exhibition:  Sept. 8 – Oct. 3, 2011. Opening Reception: Sept. 8, 4-6pm

The 2011 KU Faculty Exhibition includes works of art and design by my colleagues in Communication Design, Art Education & Crafts, and Fine Arts. I have three works in the show. You can see my large woodblock print of St. Patrick, carved in St. Louis at Evil Prints, and printed in KU’s printmaking studio. Prof. Elaine Cunfer will also be exhibiting a print done on KU’s etching presses this year.

Evan Summer photo from http://www.guanlanprints.com

Special thanks to Prof. Evan Summer for graciously permitting us to use that studio space. You may be aware Prof. Summer was awarded KU’s 2011 Arthur and Isabel Weisenberger Faculty Excellence Award. His printmaking class has always been a popular art elective for aspiring illustrators. He deserves the honor and we are looking forward to seeing his new etchings.

Grand Opening: Sept. 8, 4-6pm

The (former) Sharadin Art Gallery will officially be dedicated and renamed The Marlin and Regina Miller Gallery in honor of the donors who contributed to the Sharadin Arts Building renovation. The public is invited to the Miller Gallery’s opening reception and dedication ceremony on Thursday, September 8, 4-6 P.M. Light refreshments will be served. Hope to see you there.

-K.Mc

Martin Lemelman, beloved Kutztown illustration faculty emeritus, shared some good news. He learned that his graphic novel, Two Cents Plain: My Brooklyn Boyhood was chosen by The New York Society Library  as a winner in the 2010-2011 New York City Book Awards. He didn’t even know the book was in the running. Martin was on campus recently and told us he is at work on a new graphic novel project. It is still in the gestation period and he doesn’t want to jinx it, so the project will remain a secret, for now.

Panel from Two Cent Comics Martin Lemelman 2011

Meanwhile, he has been experimenting with web comics on his blog, www.twocentcomics.com. The panel above will give a sample of the flavor of his latest work.

Speaking of web comics, James Pannafino, KU alum, now Millersville faculty, recently visited our illustration class to talk about business models for web comics. He explained there are ways to monetize web comics include Google ads, merchandise, t-shirts, cups, and print-on-demand books. I was already familiar with Kickstarter, the web fund-raising platform for creative artists. James had an interesting take on Kickstarter, calling it a way to “pre-sell a comic book project.”

Basically, you run you idea up a the Kickstarter flagpole, and try to entice folks to support you vision. James said a comics artist might offer free computer wallpaper for any donation, a signed copy of the comic for $10, a print for $20 and, maybe, a signed original page for $100.

© Jim Hill 2011

© Jim Hill 2011

I just popped over to Kickstarter to find a good example of this illustration business model. I searched for comics, found an interesting one.  Jim Hill of Portland, Oregon has a wild idea combined with a crisp illustration style, and a good pitch. Apparently, it is his thesis project, a graphic novel called The Dead Don’t Die, about zombies in the Old West. At this date, 3/21/2011, Jim Hill already has $2,402 pledged from 56 backers, more than enough to do the book. Of course, not every Kickstarter idea is successful in getting funded.

News From Evil Prints, St. Louis

Tom Huck and Tony Fitzpatrick

I promised an update on my trip to St. Louis to visit Tom Huck at Evil Prints. Huck hosted the greatest St. Patrick’s party I can remember, and topped that with ‘The Printbangers Ball’ at the Atomic Cowboy. As an alum of Huck’s 2010 Woodblock Bootcamp, I was invited to join in the festivities. On St. Patrick’s Day, the extraordinary artist Tony Fitzpatrick, blew in from Chicago for the festivities. I had met Fitzpatrick once before when he came to Kutztown as a visiting artist around 1990. Huck credits Tony with naming and founding the Outlaw Print movement. The fact that Tony Fitzpatrick left Chicago on St. Pat’s Day gives you some idea of his high regard for Huck and the artistic community Huck has fostered in St. Louis.

detail from Wolfbat Warship © 2011 Dennis McNett

Bill Fick, who literally wrote the book on printmaking was there, and Martin Mazzora of Cannonball Press. Huck flew up the Mexican master, Artemio Rodriguez for a week-long residency. Etcher Micheal Barnes brought a gothic iron see-saw, that doubled as a printing press. You had to see it. I didn’t get a good picture, but there is one at the site, nonindigenouswoman.com. I traded prints with my friend John Fronza. John also participated in Dennis McNett’s Wolfbat a print-covered warship that rolled from Evil Prints to the Atomic Cowboy on Saturday night. I asked Dennis if he had police permits for the parade, he told me he lives by the wise words, it is often “simpler to ask forgiveness than to ask for permission.”

Huck dearly loves comics, so I made a one-shot comic zine based on his amazing artwork and equally amazing life story. I carved a woodblock for the cover art and the centerfold, but resorted to scratchboard, and India ink for most of the interior pages. Here’s a picture of Huck reading the zine; I know he enjoyed it.

If you would like to study woodblock printing with a master in a fantastic studio for a very reasonable price, Huck’s Bootcamp 2011 is open for enrollment. He’s got two sessions, one in June, one in July. Kutztown printmaking major Josh Dannin is heading out there, hey, maybe you can carpool!

Wanna’ buy the zine, Tom Huck: A Life Out of Line? Get in touch with me, or visit Moonpenny Press.


Some critics say Tom Huck is the greatest American artist working in woodblock today. While others might dispute that ranking, he is certainly among the handful of modern masters that includes Bill Fick, Endi Poscovic, and a few others, depending who you ask.

"Up Dung Creek" by and © Tom Huck

Huck runs Evil Prints, a state-of-the art print studio in a borderline neighborhood of St, Louis. Most university print programs would envy his work space and  presses. Huck is surrounded by an entourage good-looking women, and bad-looking men.

Tom Huck and Stephanie, a studio assistant

Printmakers are an odd lot. Huck is odder than most. He throws wild ‘performance’ parties. He is sponsored by Pabst Blue Ribbon. He tours Central Europe with the heavy metal rock band, Moterhead. Until last year, he somehow managed to juggle his wild side with another life as a faculty member at Sam Fox School of Art and Design, Washington University, St. Louis.  Something happened.

Huck in his office with California printmaker Jason Bonilla

Something he said or did led W.U. to let Huck go. According to press reports he did not go gently in that good night. From what I can gather he hired a lawyer and negotiated a settlement. Let’s assume the settlement includes a non-disclosure agreement, since Huck will talk about anything other than his separation from W.U.

"Beef Brain Buffet" © 2002 Tom Huck

This week, his old school, Washington U. is playing host to SGC, the biggest, most respected printmaking conference in the U.S. Huck was not invited to participate. He doesn’t take slights well. He decided to mount his own week-long alternative conference “Evil Week” at the same time, as a response to SGC.  He has a one-man exhibition at the St. Louis University Museum of Art. He’s got a red bus to serve as a free ferry from the SGC conference to his big event, the Printbanger’s Ball.

Huck says Home Depot has decent birch ply & superior hot dogs.

Artemio Rodriquez, a great Mexican printmaker is artist-in-residence at Evil Prints for the week. Of course, there will be a St Patrick’s day party on March 17. Looks like there will be one hell a Wolfbat War Vessel parade directed by Dennis McNett. There is Pub Crawl Scavenger Hunt, –order a Pabst at any of Huck’s favorite dives and you might snag a limited edition coaster with a  print by Huck or guest artists including Bill Fick, Gary Panter, and Sean Starwars. Best place to read about the Evil Week events is EvilPrints.com. Also check out Printeresting, the most dependably readable printmaking blog for the scoop on Huck’s alternative activities.

McCloskey and Huck

As a 2010 graduate of The Evil Prints Bootcamp I have been invited to join in this counter-conference. I’ll be there this weekend at the Printbanger’s Ball selling prints and a special zine created in honor of the occasion. Hope my print sales will cover my airfare. (Note to the Governor: No Kutztown University funds used for my trip.) Look for an update next weekend.

"HUCK" © Kevin McCloskey 2011

Chris Dacre (rhymes with baker) is the winner of the 2011 Sharadin Gallery Installation Residency at Kutztown University. The residency, which comes with a $10,000 budget, attracted over 150 proposals from all corners of the world.  I visited Dacre’s website to learn about his artwork. Most recently living in New Mexico, he has a BFA in Graphic Design and MFA in Printmaking. An Air Force veteran, his recent work is about how we think about (or avoid thinking about) war. His upcoming Kutztown project is called “War is Fun.” I emailed him a few questions.

Wall Graphic "War Is Fun" installation © 2007 Chris Dacre

Ever do any illustration?

“I learned to draw by copying cartoons out of the paper when I was young and after I enlisted in the Air Force I picked up a copy of ‘Cartooning the Head and Figure’ by Jack Hamm and would use that as my primary reference tool while I was sitting at work trying to stay awake. So I guess the answer is yes and no.”

Why is there suddenly new enthusiasm for printmaking? (when lots of colleges seem to be shutting down their printmaking studios to make way for new media.)

“Hmmm. I believe Drive By Press, that Joseph Velazquez started, has brought more awareness to the medium by taking it across the country and introducing a wide variety of students to some really cool artwork. I think that was an important breath of fresh air that this medium has been waiting for… In the past -in my opinion- a majority of printmakers were making really serious, dark imagery and, of course there is still a lot of that around but Drive By Press has shown that it can be quite a fun medium without all the stuffiness that used to be associated with it.

I went to Southern Graphics this year in Philly after taking a 3-year hiatus and was surprised at the amount of people who attended that conference. It’s great to see that there is a real enthusiasm for a medium that I love.”

"Twice Removed" Chris Dacre inspecting a Bunker, © 2010

Any particular artists you found influential? I thought of Red Groom’s Ruckus Manhattan looking at your installation images.

“I do love Red Grooms and recently bought a copy of his book that is basically a retrospective of his work. After I finished my undergraduate degree in Birmingham, Alabama, I was asked if I would be interested in being an assistant to the Chicago-based artist, DZINE. That was probably one of the best things I could have done for myself. I basically helped him paint this huge painting in the gallery but what was so important was that it was my first real exposure to a “real” artist- who just happens to be blowing up lately. Chris Burden is also someone I looked at lately- I love the way that he seems to just go for it and push the limits. But the first influential artist that really opened my eyes and made me see that you can really push the boundaries is Jonathon Borofsky- in graduate school I found an article that talked about an installation that he put up in LA in the mid-80′s and it was a room that was just crammed with stuff- it may have been his retrospective, I’m not sure, but it made me see that ‘hey, I can do that as well’. Oh, and of course- Chuck Jones- probably the very first artist I looked at who drew my favorite cartoon character- Bugs Bunny.”

Installation with Sculpture, Prints, and Bunker. © 2010 by Chris Dacre

Any advice for young, college age, artists?

“I guess the best advice I can give- well maybe two bits of advice- the first being something that DZINE told me was that you need to learn about the history of artists by reading their biographies, looking at contemporary art publications and by watching movies/shows like ART21. At first when he told me this I was like “yeah, yeah, whatever” but then I realized he was right. Look at other artists and learn from them- when you get out in the art world these people will be your competition.

And the other bit of advice I can give is to make work for nobody but yourself because you have to…the work is what is most important, everything else will follow with a little bit of patience.”

Chris Dacre is looking for a few student volunteers to help him install “War is Fun.”  If you have some time, roughly between Jan. 12 and 18, contact Gallery Director Karen Stanford, stanford@kutztown.edu, or drop by the gallery and meet the artist.

UPDATE: 2/21/11 :  The Reading Eagle wrote a thoughtful review of the exhibition here.

Shanni, Griffin, current students with Jenna, KU alum, at Infantree

There was amazing creative energy on the streets of Lancaster’s “First Friday.”  Prof. Karen Kresge and a bunch of KU AIGA students carpooled the 60 miles from Kutztown to Lancaster. There were drum circles on Prince St., open air parking lot aerobics, men in full tuxedos, cops on horseback, buskers of every stripe. The Monty Python Musical “Spamalot” played to a packed house at the beautifully-lit Fulton Opera House. On a side street a disabled artist painted a landscape on canvas by holding his brush in his teeth.

Ryan Martin, KU CD alum, Partner at Infantree, Lancaster, PA

Our reason for the trip was to see the Heads of State at Infantree. Turns out the Heads of State had done a VIP talk the night before. It was little disappointing to learn we didn’t make the VIP list, but the public opening we attended was exciting. The work was strong, mostly hand silk-screened poster-sized prints.

I separated from the group and visited a number of galleries. Found most of the artwork was locally made, which is encouraging. Subject matter varied from the abstract to local Pennsylvania landscapes. Most paintings had a familiar feel, the sort of artwork you might expect in a model home or a young doctor’s office. There was some exceptional and experimental work, too. I couldn’t tell which sort was selling.

Tiegre: East of Warmageddon, Penciled and inked by Dominic Vivona

I didn’t expect to find illustration and comics on a gallery walk. By chance I wandered into the a post-production video studio called “POSTAGE” at 45 N. Market Street, Suite 1002 in Central Market Mall. I met POSTAGE’s Alex Clements and Joe Krzemienski, who make their own films under the studio name, “The Fictory.” They gave me a poster for their upcoming animated film, Atomic Robo: Last Stop. I found a YouTube trailer for it here. Alex and Joe invited their comic artist friends to set up a mini-comics convention in the hall outside their studio. I met Dominic Vivona who pencils and inks the web comic, Tiegre: East of Warmageddon. The Kraken above demonstrates Dominic remarkable drawing skills. Lancaster, which I had thought of as a pretty old-fashioned city, has clearly got one foot in the future.    -K.Mc

Popular KU Professor Evan Summer spent a portion of his summer in China at the Guanlan Print Original Industry Base. Seems an “Original Industry Base” is what we in the U.S. might call an “art and business incubator.”

The Chinese government has invested millions of yuan building a state of the art printmaking studio in Guanlan, not far from Hong Kong. Evan Summer was one of small number of international master printmakers invited to do a residency there. To read his article about the Guanlan experience, published at Printeresting.org, click here .

Evan Summer photo from http://www.guanlanprints.com

Printeresting.org calls itself the “thinking person’s favorite online resource for interesting printmaking miscellany.” It is updated often and always features fascinating stories and amazing printed images.  If you can read Chinese, check out www.guanlanprints.com to learn more about the Guanlan Print Original Industry Base.

The Hakka Village, artist's residences, at Guanlan. Photo © Evan Summer 2010

Friday the 13th was my lucky day. I traveled to Williamsburg, Brooklyn for Cannonball Press’s show, “Born Under a Bad Sign.”

99% Gallery, Willimsburg, Brooklyn

Cannonball Press artists Martin Mazorra and Mike Houston were on hand to meet their fans at the opening. 99% Gallery is on the ground floor a repurposed warehouse at 99 North 10th St, near the East River. The gallery was packed. Beer was courtesy of Brooklyn Brewery, thank you. Gallery-goers were snapping up artwork by Mazorra and Houston and other artists printed by Cannonball.

Mazorra and Houston are part of the “Outlaw Print” movement. Why outlaw? Some “fine artists” and critics despise outlaw printmakers as much as they disdain illustrators. Outlaw Printmaking is about democratic visual communication. It is free to look at. And if you have some cash, the artwork is not too expensive to buy and support. I was able to purchase original prints by Mazorra and Houston and add to my growing collection of works by the Mississippi maniac, Sean Star Wars.

Prints by Martin Mazorra and Mike Houston © Cannonball Press

Mazorra has a fine series of cuts that resemble Audubon’s Birds of America with avian personality disorders. Houston’s new series revolves around creating high-impact woodcut images to illustrate the text of workplace proverbs. His graphic craftsmanship energizes these sayings beyond the commonplace.

Martin Mazorra and Mike Houston selling prints.

Prints sell for a mere $20 a piece, or 5 for $80. These are all signed artist’s proofs or short run editions from original woodblocks. How do they do it? With the same efficiency printmakers have used since Durer’s day. They print one pass of basic black relief ink on 18 by 24 inch sheets of good quality, reasonably priced  paper (Mohawk cover stock.)

Detail from Party #2, Mazorra & Houston, giant woodcut on canvas, $10,000

In the true spirit of democracy they have a few things for museums and wealthy people.  Cannonball also produces elaborately detailed, eye-popping, mural-sized canvas prints that sell for several thousand dollars. The 99% show runs until Sept 12th. Cannonball’s next big event will be “Prints Gone Wild” at Secret Project Robot, Nov 5 & 6, 2010. Secret Project Robot is also in Brooklyn, but since it is a SECRET, I can’t provide a link, you’ll have to find it yourself!

Meanwhile, visit the Cannonball online store. You can buy a work of art for less than the cost of a case of beer.

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