Graphix, the young adult and children’s comics imprint of Scholastic announced a contest at Comic-con. Some contests are scams; they charge high entry fees, or insist you give up rights to your characters at time of entry. This one looks wonderful. It is only for unpublished creators. The prize is publication and a $15,000 advance. I’ll explain what an advance is in a minute, if you don’t know already.
The deadline is April Fool’s Day, 2017, but it is no joke. Comics for kids are a red hot commodity. According to Publishers Weekly Raina Telgemeier‘s Ghosts, her next graphic novel for kids will have a first printing of 500,000 copies. Telgemeier’s book Smile has been on the NY Times bestseller list for 218 weeks! I read her Sisters and loved it.
If you haven’t read a graphic novel for kids recently, pick up anything by Telgemeier or Gene Luen Yang or Cece Bell’s El Deafo. These books are all quite brilliant and deal tastefully with serious issues including gender roles, racism, and disability. It is heartening that such great storytellers are having financial success.
Back to the Contest: The contest website explains what they are looking for: “Since our founding, the focus of Graphix remains on creator-driven graphic novels appropriate for children and teens that bring exceptional art, rich content and strong storytelling to realistic fiction, memoir, fantasy and beyond.”
David Saylor, founder of Graphix, has a short video that clarifies this search further on this page. He is looking for up to 5 new artists. The $15,000 is better than the typical advance a new artist might get.
OK, That $15,000 prize. What is an advance?
What exactly is an advance? Same as in the record business, an advance against royalties. Remember when Bruce Springsteen sang, “a record company, Rosie, just gave me a big advance.” It’s money up front. For the sake of simplicity, let’s say you have a contract for 10% royalty on a $10 dollar book. You’ll get 1 dollar for every book sold. Suppose you got a $10,000 advance when you signed the contract. You will not get any royalties until book number 10,001 is sold. If you sell 15,000 copies, the publisher will send you a check for $5000.
There is an interview with graphic novelist Gene Luen Yang at the TED Ed blog. the whole interview is interesting. Here is one important thing he says that I try to convey to my ambitious illustration students:
“When I was really little, I wanted to be in animation — I wanted to be a Disney animator; that was my lifelong goal. And then after I started collecting comics in fifth grade, I slowly switched over. I think it solidified for me when I was in college and I took a summer-long animation class, and during that summer, I produced like two, three minutes of animation total. That’s when I realized that animation is so labor-intensive that it’s actually very difficult for one person to have control over an entire project. I mean, comics is really labor-intensive as well, but at least it’s manageable enough that one person can do it. If you really want to, you can do the whole thing all on your own.”
That’s great advice. My advice: Read something new by one these stars of this genre. I am recommending this contest to my illustration students. What if Graphix doesn’t select your work? Well, there are other publishers focusing on graphic novels for young people. You’ll have a project ready to go.
Rachel Zuppo is going to New York City. She is a student at Kutztown U from Philadelphia. She made a zine, or mini comic, about an interesting date she had in Philly’s Chinatown. She will be bringing her mini comic to MoCCAfest 2016.
These two panels are from the opening spread of her All the Tea in Chinatown. Cartoonists known that their opening pages should include a strong establishing shot. Rachel certainly succeeds here.
Kutztown will be among a select group of colleges at MoCCAfest, the indie comic showcase in New York City. Most of the other tables will be small presses, large presses, distributors and independent comics creators. There will be stars there: Cece Bell creator of Newbery Honor winner El Deafo and illustrator/animator Bill Plympton. Sample art by other wonderful exhibitors can be found on the MoCCA’s Tumblr pages.
Kutztown University’s Communication Design Dept pays for the table space at MoCCA. This event is a great opportunity for our students to compare their work with projects from other art programs and meet indy publishers and artists. MoCCA’s general admission is just $5 a day, a bargain for an art fest. Look for Kutztown at Table 114 next to TOON BOOKS.
12 students from our Illustration 2 class are showing their stuff at MoCCA, Sat. April 2 at Metropolitan West, 639 West 46th St, NYC. I’ll be there with their zines on Sunday, too. All of the books were completed across the first eight weeks of this semester.
Yu Wen Sun, who goes by Sue, is Rachel’s buddy. Sue is an exchange student from Tunxi, Huangshan, Anhui, China. She tells us her hometown is smaller than Kutztown. Hard to believe. Her My Friend is A Freak! is a story of of an outsider searching for a friend, and (spoiler alert!) befriending another outsider. Sue got help with the English text from her Philly friend Rachel.
A number of students added stickers as a bonus to their zine. Most of these zines are under $5. Sue’s My Friend is a Freak! is a bargain at $3. This is the third time Kutztown has tabled at MoCCA. This year’s entires are varied, but many have horror and suspense themes.
Meredith Shriner’s A Most Bothersome Bat demonstrates her great potential as a children’s book illustrator. Elaine Knox’s work, below, is cleverly designed with a ghostly overlay printed on transparent paper.
Here is a detail from Kristen DeMelfy’s Inseparable. She manages give great form to her figures even in black and white. Like many of the other stories Inseparable has the potential to be expanded into a longer story.Hannah Faber’s Kruikje has a fanciful mid-century feel. Her colors are a tad off-register making her digital printout resemble a risograph or linocut. We have lots more artwork to see, but here below is a page from Katelynn Chamber’s Self Talk, a more serious project about the issue of body image.
Hope to see old friends at MoCCA. I am always inspired by the work of young illustrators from great schools like FIT, or SAW, or CCS and Kutztown University. Thanks to Lindsay Trzaska for designing our banners. If you make it to MoCCA you will find us at table 114.
I will share photos and more student work from MoCCA next week.
Like a lot of young Americans, Kutztown’s Madison O’Neil grew up loving Star Wars and Lego. Now he is headed to Denmark to design Lego Star Wars characters.
I last wrote about Maddy in 2013 when as a new BFA grad he took an odd career detour to become a ranch hand. Maddy’s new official job title: Character & Graphics Designer, LEGO STAR WARS.
He starts work on February 22, 2016 at Lego, Billund, Denmark. He doesn’t even have a place to live. He and girlfriend, Megan Blair, also a talented KU design grad, found a Bed & Breakfast a short bus ride from Lego HQ.
There are already 2 KU Communication Design grads working at Lego, Austin Carlson and Lauren King. Maddy interned at Crayola and met Lauren there, before she, herself, took off for Denmark. Lauren alerted Maddy to this job opening.
It all happened fast. For the past few years he’s been a designer at the quirky online store Think Geek. He flew to Denmark for the first time over Thanksgiving. Maddy explains,”I prepped an online portfolio, had a skype interview, was flown to Billund, Denmark for a series of interviews and design workshops, and got the job a week or two later. ” He told my illustration class he was one of a dozen candidates flown in from all over the world for the interview.
His interview in November included hands-on tests. He and the others were given a table full of Legos and told to create specific scenes and characters on the spot. Maddy says it was fun, stressful, but fun!
Maddy was ready. In fact, he had packed his suitcase with these tiny characters from cult movies and TV shows including Game of Thrones, Firefly, and, of course, Star Wars. Note all Maddy’s creations in this post are totally unofficial and not available in stores. He custom prints stickers and fabricates props to adorn off-the-shelf Lego people. All rights are retained by the original creators.
See more of Maddy’s imaginative creations including Beast Boy from Teen Titans and Sherlock Holmes here. As he says at www.maddyoneil.com: “I loooove LEGOs! As a hobby I enjoy creating LEGO minifigures of my favorite characters from pop culture. With custom decals and paint applications I can give these little guys big personalities.”
Lessons from Maddy: Network, Build a great portfolio web page, and Looooove what you do!
Note: My new book, The Real Poop on Pigeons is available for pre-order on Amazon, at the discount price of $8.88. The first review was good, and it is a selection of the Junior Library Guild. I am exhibiting artwork from the book at Kutztown U in April and at The Hoboken Historical Museum in June. More details to come soon.
Scratchboard illustrations from my sophomore classes gained nearly 200 views on day one. So here’s a gallery of their colored pencil projects.
Animal Head on Human Body
I have been using this assignment for years, getting imaginative combinations. Back in the day, students found three different photos: a head, body and background.
Lately I’ve seen students actually google the words “animal head on human body” on their phones. I think of this as a crowd-sourced substitute for individual creativity. Some use Photoshop’s lasso tool to put an existing head on a body, then use the Artograph projectors to copy their Photoshop collage. Still, I must admit, I am getting good work.
Sierra Fry’s art student bull is brilliant. His last name is Sharadin, which is the name of the art building here. Note the museum sticker on his sketchbook is from MooMA, not MOMA.
Kayliyn Gustafson based her image on her dog, Kip. I beefed up the contrast as I scanned this image to make her pencil marks in outer space less apparent. It looks stunning with this slight adjustment. I am all about using the computer to make drawings pop. Of course, you can’t do much unless the underlying drawing is excellent, like this portrait of Kip.
Samantha Fusco’s slugger looks like a Kutztown U baseball card. I told the students there is a university that has a slug for a mascot. Some found that info hard to believe. We leave you with an ambitious image below. It is tough to draw a motorcycle, let alone one ridden by a bulldog.
I suggest students use ordinary marker layout bond. Some prefer smooth bristol board. Recommended pencils brands are Prismacolor or Derwent. One tip with colored pencils is using a bit of isopropyl rubbing alcohol on a cotton swab to blend colors. If used everywhere the alcohol can make the colors mushy, but in moderation it’s a special effect worth trying.
You may see odd advertisements on these pages. We neither endorse nor profit from these ads; they are WordPress’s sponsors. I have added a link to my Toon Book, We Dig Worms! If you buy it, I will make a small profit, thanks! We Dig Worms! is available wherever books are sold. If you’d like to order from Amazon, click the image below.
Nathan Hale is a fitting name for a graphic novelist specializing in historical biographies. I ran into him at the American Library Association convention in San Francisco. I asked if he was named for the hero of the American Revolution. He wrote One Dead Spy, about that hero. “No, I am named for my grandfather,” he said. Grandpa Nathan, born in Star Valley, Wyo, might have been named for the hero, though.
Nathan’s latest work, The Underground Abductor, is a bio of Harriet Tubman. He is hoping rumors that Tubman’s portrait might grace the ten-dollar bill come true, as it will boost sales.
Nathan studied illustration at Cornish College of Art in Seattle. For a time he specialized in natural history illustration. Now his historical graphic novels, published by Abrams, keep him at the drawing board. He has completed 5 in the ongoing series, Nathan Hale’s Hazardous Tales. Abrams has lesson plans linking his books to middle grade history curriculum.
Besides his full-time job as an illustrator, Nathan tours the country teaching cartooning to youngsters in his Cartoon Boot Camp. Just prior to the ALA convention he taught a Boot Camp in Santa Rosa California at the Charles Schulz Museum. I just checked their website, looks dreamy. They have an ice rink and a Warm Puppy Cafe. You can watch Charlie Brown specials all day long and meet professional cartoonists. Oddly enough, the Boot Camp experience went south for Nathan, his wife, and eight-year old daughter, Lucy. Nathan was stunned when a thief smashed the windows of their rental car with a sledgehammer and stole their luggage. They got some Peanuts’ T- shirts at the gift shop. Nathan’s wife presented him with a nifty T-shirt she had custom printed, see below.
It should be noted that the Hazardous Tales series has gotten many splendid reviews. Booklist, for example, on Treaties, Trenches, Mud and Blood, “Students bored to death by textbook descriptions of WWI battle maneuvers should be engaged by this entertaining, educational glimpse at world history.”
School Library Journal praises his recent work as “lively, rigorously researched, visually engaging stories.”
I asked if he had ever learned something from reader feedback. After some thought, Nathan opened Big Bad Ironclad! to show me the illustrated endpapers. The first edition, 2012, had a mistake on the map; he had incorrectly colored Kansas gray, putting it in the Confederacy. He got a letter from an upset Kansas librarian, then more from school children. He did an apology tour of Kansas schools. “I let the kids yell at me, throw popcorn,” he joked. He took responsibility for the mistake, said he had referenced a map drawn prior to the Kansas-Nebraska Act. In January, 1861, Kansas was admitted to the Union as a free state. His publisher, Abrams, has first-rate editors who check every sentence for historical accuracy. Nathan, however, never sent the editors the illustrated endpapers to proofread, just the interior pages. The map was fixed for the current edition, pictured below. Let that be a (history) lesson for us all.
Nathan writes a blog, Space Station Nathan. He admits to being too busy to keep it updated. He works hard and deserves his success. The blog archives have some nifty stuff. Look for the illustrated guide to inviting Nathan Hale to visit your school.
Women’s roller derby was a national sensation in the 1950’s. Today roller derby is again a sporting and pop culture phenomenon. I met the Australian illustrator and roller derby athlete Robin Tatlow-Lord in San Francisco last week. Robin learned to skate in South Australia, with Adelaide Roller Derby and currently skates with the Bay Area Derby Girls. She taught me a bit about modern roller derby. Must admit, I had some misconceptions. For example, I called the athletes racers. Robin notes, “The sport is also not really a race, and is more akin to football, even though it’s on a looped track. Roller derby skaters call themselves and each other players, not racers.”
Robin writes, “The kind of roller derby that has become really popular now is NOT a paid professional sport. It is a community-driven, unpaid ‘amateur’ sport (though played to an extremely high level of athleticism and competitiveness) and this has been a huge part of its popularity, because women can start up their own leagues and have full control over everything they do – from what they wear to which nights they train, etc. It’s also a real sport now – unlike 1950s and 60s roller derby, it’s not ‘staged’ or manipulated as an entertainment event. There are both flat-track and banked track incarnations of modern women’s roller derby – I play flat-track.”
I wondered is there some strange new intersection between roller derby and illustration? I wrote about Kutztown grad and illustrator Kate Santee who plays for the Lehigh Valley Rollergirls. Jessica Abel’s epic Trish Trash Roller Girl from Mars has just been released in France. Her fans, myself included, are clamoring for the English edition.
I asked Robin, A.K.A. ‘Bobby Dazzler’ a few questions. First, is roller derby big in Australia?
Robin: “Yes, there is definitely roller derby in Australia. That’s where I started, and played for 2 years. In fact, an Australian team,Victorian Roller Derby League, recently beat many of the top USA teams, and are now ranked fourth in the world.”
‘Bonnie Adventuress’ (above) is a portrait of her pal, skater Bonnie ‘Bone Shaker’ Dowling, painted on recycled paper. Robin’s colorful Fresh Meat series is drawn entirely with brush pens. According to Robin’s website, the line art illustration below is from a few years back when lacy bras and fishnet stockings were more common.
Question: There seems to be a new wave of comics and illustration celebrating roller derby. I am imagining this trend?
Robin: “I don’t think it’s an imagined trend – in fact, a friend and I have been throwing around the idea of putting together a roller derby comics anthology for some time now. There have already been comics compilations on the theme, but to our minds these weren’t as interesting as the comics and illustrations actually being created by real skaters and other people involved in the roller derby community.”
Robin wrote a guest post about the current crop of roller derby players who are also comic artists. Seems like the stars are aligned for that skater/creator comics anthology she mentioned. If your artwork fits that double bill, get in touch via her website. Meanwhile, do check out Robin’s website to see the full range of her talent.
I went to NYC for the 92nd meeting of the NY Comics & Picture-story Symposium. I’ve missed 90 meetings, but they are a welcoming bunch. The Symposium pops up someplace different each meeting, so you need to find it. The Symposium is free, info here. This is not Comi-Con. The emphasis is on D.I.Y., independent and innovative comics.
Tom Hart and Leela Corman, husband and wife artists and educators presented. There was a crowd of about 40. Tom and Leela arrived a bit late navigating their way into the SVA conference room with their baby Molly in a stroller. Tom shared a Powerpoint about the Sequential Artists Workshop, SAW, the one-room schoolhouse for comics they founded in Florida in 2011. As Tom’s eyes darted across the audience he gave shout-outs to old NYC friends. He taught cartooning for 10 years at SVA.
VISIT GAINESVILLE: More Lizards than Criminals! Tom spoke of their move to Florida. A New Yorker in the audience must have flinched. “It’s Gainesville!” said Tom. “It’s not what you think of when you think ‘Florida.’ We have WAY more lizards than criminals.” He’s working on a graphic memoir dealing, in part, with their exodus from New York. I read somewhere Tom just got tired of being a starving artist in New York. I recall one telling detail. He wore his useless wristwatch for months because he couldn’t afford a new battery.
SAW’s one room schoolhouse is in what looks like a mini-mall. Tom touted his Gainesville neighborhood, pointing out SAW’s proximity to the South’s oldest feminist/LGBTQ bookstore and the South’s oldest Infoshop. He explained the impetus for creating SAW, an affordable stand-alone academy for comics. “I had this vision of an intense, serious place, – The Paper Chase for cartooning.” (The Paper Chase was a ’70’s T.V. show about Harvard Law School with a hero named Hart, oddly enough.) Tom’s recollections of his time studying cartooning at SVA were not pretty. Nobody finished anything. -“It was terrible. They were all listening to The Cure and doing drugs,” he recalled. “and my mother had to take out a loan.”
“It’s not right. There are art schools charging $35,000 a year, and there are schools charging less, like $12,000. Even that’s too much.” he said. “SAW’s flagship program, a 1-year full-time comics boot camp costs $3,500 for the year.” SAW’s program includes master classes in life drawing, comics/art history “that begins way before Hogarth” lo-fi technique classes, and, naturally, critiques. They don’t have a lot of computers or software, but they do have a risograph printer. SAW is not accredited, but teaches the same stuff as accredited schools and the results are quite impressive. I wrote about SAW before and interviewed student Adrian Pijoan here.
Leela took to the podium. Besides teaching at SAW, she’s a zinester, illustrator, and belly dance instructor. A Powerpoint malfunction prevented her from showing much of her award-winning graphic novel Unterzakhn. Tom still asked her the question that irks her most, “Is Unterzakhn autobiographical?” She answered with mock annoyance,”It’s about twins! It takes place in a brothel! in 1910! The answer is, No!”
She shared work done for the Symbolia, the app ‘where comics meets journalism.’ I took some solace from her offhand remark, “I have to learn to draw again for every book.” The progressive Jewish mag Tablet published some of her most heartfelt work, – her graphic meditation on her Holocaust survivor grandfather and her own pain of losing a daughter. Their daughter Rosalie died near the age of two in 2011. “Since my first child died, I’ve tried to understand how my grandfather handled losing his entire family, and how he kept going.” As Leela noted, no one can understand this sort of grief, if they have not experienced it. Even then, it is beyond understanding. The full strip is here.
Secret Project GNAT
Tom returned to the podium to share a rather incredible comic he is editing for DARPA. The Defense Advanced Research Projects Agency are the folks who invented the Internet and drones. Really! Everyone is getting into comics. The GNAT project (Graphic Novel Art Therapy) is meant to help vets deal with PTSD. A declassified explanation of the overall project can be found here. Tom shared pages from a graphic retelling of the Odyssey for vets. He pointed out details including extraordinary inking by Justine Anderson, above. That final panel is drawn with a toothpick.
Tom looped back to his own memoir project. He posts his Rosalie Lightning work-in-progress online. He, too, spoke of his massive grief when baby Rosalie died. He recalled reading classic 1920’s Gasoline Alley strips by Frank King. When got to a panel where Walt panics about losing his baby Skeezix, he couldn’t bear to continue reading.
Maybe it was a catch in his voice, or a dip in Tom’s positive psychic energy, but as he talked about “losing our baby” something changed. It seemed even Molly, eleven months old, sensed it. She swung her wee body away from her mother’s breast toward her father. Leela held on as long as she could, but Molly went willfully horizontal, arms outstretched toward Tom.
Leela carried Molly across the room carefully shielding the girl’s eyes from the glare of the projector. Tom cradled Molly in his left arm and, as best he could, used his right hand to advance the slides. At one point he tried to pass Molly back to Leela. Molly refused to go that go far.
Nick Bertozzi seated near the podium managed to bounce Molly on his knee as Tom wrapped up his commentary. Tom apologized if he’d gone on too long. The room filled with applause. Molly’s eyes lit up as if the clapping was for her. I suppose some of it was. Grateful applause for the whole family: Tom and Leela and Rosalie and Molly.
There was time for a few questions, and someone asked how to help SAW. Tom was clearly relieved by the softball question. He’d totally forgotten to mention that key point. SAW depends on donations to keep tuition low. SAW will announce a new Indi-GOGO fundraiser in December. To help out visit the SAW site and sign up for the newsletter. They also have low-residency weeks if you haven’t got a year off.
Note: The 93rdNY Comics & Picture-story Symposium is Mon, Aug. 4, 2014, 7 pm, Dixon Place on Chrystie St. Free and open to the public. Presenters: Sophia Wiedeman & Anna Raff. Details here.