Sweet Salvation

Jiawei Gong made an American flag from sugar at the Reading Public Museum. This art work, created in early June, will be on view until July 8. Tibetan monks traditionally use colored sand to create mandalas, often composed of circular shapes based on Buddhist cosmology. Jiawei is not a Tibetan monk, he is a Chinese-born Professor of Fine Art at Kutztown University. This is not a traditional mandala, nor a traditional stars and stripes. The 50 stars are white sugar. Dark and light brown sugar replace the blue field and red stripes.

Jiawei’s tools are authentic. He briskly runs a metal rod along a long fluted copper funnel filled with sugar. The right level of vibration sends sugar grains spilling consistently from the funnel’s tip. Jiawei allowed visitors, including me, to try our hand with these tools on a second platform. His wife Wen assisted him ably, but I found the process is not as easy as it looks.

Jiawei Gong assisted by his wife, Wen, working on Sweet Salvation.

I asked Jiawei about the meaning of the work. He told me to look at the words on the wall. I looked at the museum wall expecting to see a statement.  “Sweet Salvation” -is all it says on the wall. Jiawei, I think, wants each viewer to come away with their own meaning. Sweet.

More of Jiawei Gong’s work can be found at www.jiaweigong.com

STAN MUNRO Artist & Toothpick Engineer

I met Stan Munro at the Reading Museum. He is an interesting guy. He was seated in the center of the museum’s lobby with a case of toothpicks and a container of Elmer’s glue. He was building the Eiffel Tower.

Stan Munro at the Reading Museum, sketch by Kevin McCloskey.

Families came to watch him work. Sometimes Stan handed wide-eyed kids wooden nickels he had individually handcrafted from toothpicks. Kids love his work. When Stan was in 5th grade at Wayland Elementary School in upstate New York, his art teacher gave the class a toothpick assignment. They were challenged to build a protective tower for an egg. Not everyone took the assignment as seriously as Stan. His tower, he says, “was basically a three-story pagoda form, about ten inches tall, built with lots of triangles, strong shapes.”

Maya Temple, Chichen Itza, Yucatan, Mexico

Some kids balanced books on top of their egg holders. Around the room eggs were cracking as Stan worked on. He finished his pagoda and placed it on the floor beside his desk. Stan put a book on top of his tower and it didn’t even creak. Stan piled on all his 5th grade textbooks. It still held. Then came an “aha moment.” With help from classmates Stan lowered his overturned desk onto his toothpick pagoda. It held. The crowd went wild.

King Hassan II Mosque, Casablanca, Morocco (detail) by Stan Munro

That was over 25 years ago. Stan still remembers that moment as the highlight of his school career. Stan did not study toothpicks in college. He went on to become a journalist. He married a doctor, the love of his life, Suzi. One day, Suzi became very ill. She became bedridden with a rare kidney and liver disorder. Suzi was put on a waiting list for organ transplants. She was able to stay in their home much of the time, but needed specialized hospital equipment in the house, including a dialysis machine. Stan gave up his jobs to stay by Suzi’s side.

Sometimes he got frustrated. What could he do? Suzi had heard the story of Stan’s pagoda many times. She asked Stan to build her a toothpick tower of her favorite skyscraper, New York’s art deco masterpiece, the Chrysler Building. Stan remembers this as the most difficult thing he ever built. By trial and error Stan found the right sort of toothpicks (square with round ends) and the right sort of glue (Elmer’s).

“I ♥ Suzi.”

Stan also rediscovered the path of his life. He began building toothpick towers from around the world.  “Towers are easy,” he says. Next he began creating toothpick temples, sacred buildings, from all cultures. Somewhere on every piece Stan leaves his mark, not his signature, but “I ♥ Suzi.”

The Vatican by Stan Munro and The Raising of Lazarus by Tintoretto.

Stan told me he is most proud of his version of Barcelona’s Catholic cathedral, Sagrada Família, the Sacred Family. The architect Antoni Gaudí worked on this church from 1883 until his death in 1926. The actual Sagrada Família is still under construction. It may not be completed for years. Stan based his finished toothpick cathedral on Gaudí’s original sketches, even though present-day architects have been accused of altering Gaudí’s vision.

Toothpick World opened last week and will be on view at The Reading Public Museum through the end of 2012. There are toothpick towers and temples throughout the museum. The Reading Museum is to be applauded for the brilliant placement of the toothpick St. Peter’s Basilica in front of Tintoretto’s Jesus raising Lazarus. It is inspiring to see the myriad houses of worship side by side. The Little White Wedding Chapel in Las Vegas stands beside Mecca’s Grand Mosque. Jewish, Muslim, Protestant, Catholic, Baha’i, Maya, all coexist peacefully in Toothpick World. Watching Stan build the tower in the lobby I noticed how he controlled his breathing for the delicate placement of each gluey toothpick. His measured breathing is a sort of meditation. His towers, especially his temples, are visible manifestations of his meditations. Is it too much of a leap of faith to call these towers visible prayers?

Stan Munro’s Sagrada Família, Barcelona, Spain, original by Gaudí.

Stan is clearly a storyteller, a visionary, an educator, and a business man with a plan. Toothpick World, LLC, is a traveling exhibit corporation. I asked Stan if he thought of himself as an artist. “Artist? –No,” he said, “I call myself a toothpick engineer,” and he handed me his card.

Stan Munro’s business card.

In my book, Stan Munro is an extraordinary artist. By the way, he can travel more now because Suzi is doing much better. She got double organ transplants at the Mayo Clinic, and her surgeons say that her recovery is nothing short of miraculous.

For more info visit: www.toothpickworld.com