I went to NYC for the 92nd meeting of the NY Comics & Picture-story Symposium. I’ve missed 90 meetings, but they are a welcoming bunch. The Symposium pops up someplace different each meeting, so you need to find it. The Symposium is free, info here. This is not Comi-Con. The emphasis is on D.I.Y., independent and innovative comics.
Tom Hart and Leela Corman, husband and wife artists and educators presented. There was a crowd of about 40. Tom and Leela arrived a bit late navigating their way into the SVA conference room with their baby Molly in a stroller. Tom shared a Powerpoint about the Sequential Artists Workshop, SAW, the one-room schoolhouse for comics they founded in Florida in 2011. As Tom’s eyes darted across the audience he gave shout-outs to old NYC friends. He taught cartooning for 10 years at SVA.
VISIT GAINESVILLE: More Lizards than Criminals! Tom spoke of their move to Florida. A New Yorker in the audience must have flinched. “It’s Gainesville!” said Tom. “It’s not what you think of when you think ‘Florida.’ We have WAY more lizards than criminals.” He’s working on a graphic memoir dealing, in part, with their exodus from New York. I read somewhere Tom just got tired of being a starving artist in New York. I recall one telling detail. He wore his useless wristwatch for months because he couldn’t afford a new battery.
SAW’s one room schoolhouse is in what looks like a mini-mall. Tom touted his Gainesville neighborhood, pointing out SAW’s proximity to the South’s oldest feminist/LGBTQ bookstore and the South’s oldest Infoshop. He explained the impetus for creating SAW, an affordable stand-alone academy for comics. “I had this vision of an intense, serious place, – The Paper Chase for cartooning.” (The Paper Chase was a ’70’s T.V. show about Harvard Law School with a hero named Hart, oddly enough.) Tom’s recollections of his time studying cartooning at SVA were not pretty. Nobody finished anything. -“It was terrible. They were all listening to The Cure and doing drugs,” he recalled. “and my mother had to take out a loan.”
“It’s not right. There are art schools charging $35,000 a year, and there are schools charging less, like $12,000. Even that’s too much.” he said. “SAW’s flagship program, a 1-year full-time comics boot camp costs $3,500 for the year.” SAW’s program includes master classes in life drawing, comics/art history “that begins way before Hogarth” lo-fi technique classes, and, naturally, critiques. They don’t have a lot of computers or software, but they do have a risograph printer. SAW is not accredited, but teaches the same stuff as accredited schools and the results are quite impressive. I wrote about SAW before and interviewed student Adrian Pijoan here.
Leela took to the podium. Besides teaching at SAW, she’s a zinester, illustrator, and belly dance instructor. A Powerpoint malfunction prevented her from showing much of her award-winning graphic novel Unterzakhn. Tom still asked her the question that irks her most, “Is Unterzakhn autobiographical?” She answered with mock annoyance,”It’s about twins! It takes place in a brothel! in 1910! The answer is, No!”
She shared work done for the Symbolia, the app ‘where comics meets journalism.’ I took some solace from her offhand remark, “I have to learn to draw again for every book.” The progressive Jewish mag Tablet published some of her most heartfelt work, – her graphic meditation on her Holocaust survivor grandfather and her own pain of losing a daughter. Their daughter Rosalie died near the age of two in 2011. “Since my first child died, I’ve tried to understand how my grandfather handled losing his entire family, and how he kept going.” As Leela noted, no one can understand this sort of grief, if they have not experienced it. Even then, it is beyond understanding. The full strip is here.
Secret Project GNAT
Tom returned to the podium to share a rather incredible comic he is editing for DARPA. The Defense Advanced Research Projects Agency are the folks who invented the Internet and drones. Really! Everyone is getting into comics. The GNAT project (Graphic Novel Art Therapy) is meant to help vets deal with PTSD. A declassified explanation of the overall project can be found here. Tom shared pages from a graphic retelling of the Odyssey for vets. He pointed out details including extraordinary inking by Justine Anderson, above. That final panel is drawn with a toothpick.
Tom looped back to his own memoir project. He posts his Rosalie Lightning work-in-progress online. He, too, spoke of his massive grief when baby Rosalie died. He recalled reading classic 1920’s Gasoline Alley strips by Frank King. When got to a panel where Walt panics about losing his baby Skeezix, he couldn’t bear to continue reading.
Maybe it was a catch in his voice, or a dip in Tom’s positive psychic energy, but as he talked about “losing our baby” something changed. It seemed even Molly, eleven months old, sensed it. She swung her wee body away from her mother’s breast toward her father. Leela held on as long as she could, but Molly went willfully horizontal, arms outstretched toward Tom.
Leela carried Molly across the room carefully shielding the girl’s eyes from the glare of the projector. Tom cradled Molly in his left arm and, as best he could, used his right hand to advance the slides. At one point he tried to pass Molly back to Leela. Molly refused to go that go far.
Nick Bertozzi seated near the podium managed to bounce Molly on his knee as Tom wrapped up his commentary. Tom apologized if he’d gone on too long. The room filled with applause. Molly’s eyes lit up as if the clapping was for her. I suppose some of it was. Grateful applause for the whole family: Tom and Leela and Rosalie and Molly.
There was time for a few questions, and someone asked how to help SAW. Tom was clearly relieved by the softball question. He’d totally forgotten to mention that key point. SAW depends on donations to keep tuition low. SAW will announce a new Indi-GOGO fundraiser in December. To help out visit the SAW site and sign up for the newsletter. They also have low-residency weeks if you haven’t got a year off.
Note: The 93rd NY Comics & Picture-story Symposium is Mon, Aug. 4, 2014, 7 pm, Dixon Place on Chrystie St. Free and open to the public. Presenters: Sophia Wiedeman & Anna Raff. Details here.
3 thoughts on “Tom Hart & Leela Corman on Grief & Cartooning”
As a faculty member who has been with SAW since the beginning, I have to add to this that however hard their grief had hit them, they were never anything but kind, considerate and compassionate. This is Tom, in a nutshell: I was at SAW late and needed to freshen up in the restroom. I asked if there happened to be a ponytail elastic floating around somewhere in the flotsam and jetsam, he said “no,” then thought about it, and a moment later produced one and said, “Oh, I have this, it belonged to Rosalie, be nice to it.” Of course, he said and meant it in the gentlest way possible. I hesitantly took it, as if it were a talisman, and went into the restroom, but I could not get it in my hair… I just couldn’t. I tried 3 times, it was like I was being stopped physically. I teared up and bolted out of the restroom saying, “Sorry, I can’t use this, ” and handed it to him. I got myself physically and emotionally back together in the restroom and came out a half hour later to Tom looking up and asking “Are you OK?” Am I OK? Am I OK? Well, that’s Tom, however much grief he may have been dealing with, he always had room enough in his heart for others. Support SAW, not just for the comics and the arts, but because we have created a raggle-tag family of brilliant, creative, caring and giving misfits, and any place with that much heart (or Hart) deserves to survive in a world that needs it very badly indeed.
That’s a sweet story. Thanks.